Home Ad Exchange News Ads Served Grows Despite Blocking; The Chronicle’s Content Marketing Proves Profitable

Ads Served Grows Despite Blocking; The Chronicle’s Content Marketing Proves Profitable

SHARE:

cloudynumbersHere’s today’s AdExchanger.com news round-up… Want it by email? Sign-up here.

Ad Blocking’s Lost Boys

A team from Nieman Labs finds the growth of digital media makes it tough to measure the size of the ad blocking problem. Jim Coudal, CEO of the ad network The Deck, says that “if someone is using an adblocker, frankly, they’re not my user. I know how many ads I’m serving. That’s all I know, and the number of ads I’m serving in November has already surpassed (ads served in) October, September, and August.” More.

Print’s Digital Renaissance

A few years ago, the San Francisco Chronicle was draining $50M per year from Hearst, its owner, and was being shopped to unimpressed buyers. Now the Chronicle is profitable and growing. So what gives? Well, Benjamin Mullen at Poynter identifies a new Hearst strategy of pairing content marketing agencies with regional papers, as it’s done in San Fran, Houston and NYC. “These marketing agencies represent Hearst’s entrée to big, sophisticated companies who want more than traditional advertising.” Check it out.

Stuck In Neutral

The New York Times covers the steady erosion of Yahoo’s market clout, chalking it up to the company’s decision to zig toward talent while most publisher innovation was zagging toward technology and data. GroupM’s Rob Norman summarizes the error with an ice cream reference. “[Yahoo] becomes vanilla in a land of not 32, but 5,032 flavors. … What Yahoo tried to do both with magazines and video was to be old media in the Internet age, and I suspect that that wasn’t the answer.” More.

Pay To Play

A pair of WSJ reporters say YouTube has been in talks with Hollywood studios and production companies to secure TV and movie rights for its nascent YouTube Red subscription service. The service costs $10 per month, on par with Netflix, so it was tough to see at launch how Google planned to compete with the likes of Hulu, Amazon and Netflix, which offer a lot more than ad-free videos or some creator content. More.

But Wait, There’s More!

You’re Hired!

Must Read

Curation Platform Onetag Just Acquired This Creative Tech Startup. Here’s Why

Onetag’s acquisition of creative ad tech platform Aryel equips its curation solution with new tools for tweaking and testing interactive ad creative.

PubMatic Is All In On Agentic AI

PubMatic says adoption of its AgenticOS, combined with strong CTV and mobile demand, set the stage for double digit growth in the second half of this year.

Comic: Always Be Paddling

The Trade Desk Faces Headwinds As Investors Reconsider The Thesis Of Objective Indie Ad Tech

The Trade Desk, once a Wall Street darling, now faces the challenge of rebuilding goodwill across the investor community and the ad tech industry.

Privacy! Commerce! Connected TV! Read all about it. Subscribe to AdExchanger Newsletters

Other Than Buying Warner Bros. Discovery, Paramount Skydance’s Priority Is Streaming Revenue Growth

While the outcome of Paramount Skydance’s bid for Warner Bros. Discovery hangs in the balance, Paramount is laser-focused on driving streaming growth.

TV Media Buyers Want Outcomes – So Nielsen Is Introducing More Advanced Audiences

On Wednesday, and in time for the upfronts, Nielsen added more than 200 advanced audience segments in Nielsen ONE, its cross-platform analytics dashboard.

Why Dow Jones Prioritizes Direct Deals To Protect Its Audience Value

In pursuit of ad revenue, Dow Jones is betting on a tried-and-true strategy: direct relationships, first‑party audiences and a disciplined approach to using data to enrich ad campaigns.