Home CTV Roundup Disney+ Ads Are Still Nascent – But Improvements Are Coming

Disney+ Ads Are Still Nascent – But Improvements Are Coming

SHARE:
Grand Prairie, TX/USA - Aug 2019: Disney Plus on smartphone with popcorn. Dinsey+ is a new streaming subscription service that will feature Marvel, Pixar, Star Wars, and National Geographic content

My 8-year-old self never would have believed I’d be getting paid to stay up late watching “Hannah Montana” as an adult with a job.

And yet, here we are.

Disney+ has ads now, so I signed up to see what the ad experience is like. I didn’t expect to rediscover a childhood fave, but hey, it was recommended to me … although that was probably because I accidentally set my content ratings to age 7 and up.

Break time

Like Netflix AVOD, ads on Disney+ are new, so they’re still pretty basic, but, also similar to Netflix, Disney has an impressive roster of large brand advertisers: Mercedes-Benz, Hyundai, Toyota, Fidelity, TurboTax, DoorDash, Hilton, Verizon and Cocoa Pebbles.

Ads on Disney+ are limited to 15- or 30-second pre-roll and mid-roll spots, and the targeting felt a little off to me. I saw repeat ads from Capital One and a university in Southern New Hampshire, as well as ads for both Huggies and Pampers in back-to-back episodes of “The Simpsons.”

While that might count as competitive separation, the binge-friendly nature of AVOD viewing made the ads feel closer in proximity than they might in a linear environment. No one I know would watch only one episode of “The Simpsons” in a single viewing session.

That’s like eating only one Oreo.

Age appropriate

For now, Disney+ advertisers can only target their audiences based on age, but Disney says better ad targeting is next on its to-do list, with plans to add Disney data into its graph and make targeting on par with Hulu by the summer.

Disney+ has nine different content ratings, and subscribers can choose to see R-rated and mature titles in their feeds, including Marvel movies like “Daredevil” and “The Defenders.”

Subscribe

AdExchanger Daily

Get our editors’ roundup delivered to your inbox every weekday.

But whether I was watching “Hannah Montana” or the National Geographic show “Airport Security” about cocaine smuggling, the ad experience was pretty much the same.

The ad load did vary between titles, however. A 25-minute episode of “The Simpsons” included just under three minutes of ads, which was the same as for a 45-minute episode about an airport drug bust.

Know your audience

When Disney data starts to power the ad targeting solution, the content recommendations will probably improve.

Even after watching an entire season of “Airport Security,” my feed was still full of recommendations for “Mickey Mouse Clubhouse,” “High School Musical” and “Jessie.”

And once Disney+ data makes it into Disney’s ad server, ad personalization should improve, too.

But the upfronts are only a few months away. Will Disney’s souped-up targeting meet advertiser expectations in time?

Let me know what you think. Hit me up at [email protected].

Must Read

Intent IQ Has Patents For Ad Tech’s Most Basic Functions – And It’s Not Afraid To Use Them

An unusual dilemma has programmatic vendors and ad tech platforms worried about a flurry of potential patent infringement suits.

TikTok Video For Open Web Publishers? Outbrain Built It.

Outbrain is trying to shed its chumbox rep by bringing social media-style vertical video to mobile publishers on the open web.

Billups Launches Attention Measurement For Out-Of-Home

Billups, a managed services agency that specializes in OOH, is making its attention measurement solution and a related analytics dashboard available for general use.

Privacy! Commerce! Connected TV! Read all about it. Subscribe to AdExchanger Newsletters
US District Court for the Eastern District of Virginia, Alexandria

The Google Ad Tech Antitrust Case Is Over – And Here’s What’s Happening Next

Just three weeks after it began, the Google ad tech antitrust trial in Virginia is over. The court will now take a nearly two-month break before reconvening for closing arguments right before Thanksgiving.

Jounce Media's Chris Kane at Programmatic IO NY on Sept. 25, 2024.

The Bidstream Is A Duplicative, Chaotic Mess – But It Doesn’t Have To Be That Way

Publishers are initiating more and more auctions – but doesn’t mean DSPs are listening to more bids, according to Chris Kane.

Readers Are Flocking To Political News, Says WaPo – And Advertisers Are Missing Out

During certain periods this year, advertisers blocked more than 40% of The Washington Post’s inventory over brand safety concerns.