Home I Scream Social iHeartMedia Puts Music Fans At The Center Of Its Campaigns

iHeartMedia Puts Music Fans At The Center Of Its Campaigns

SHARE:

iheartmedia socialIHeartMedia relies heavily on listeners to inform its online marketing efforts.

When advertising its stations, the digital audio giant has found its biggest influencers aren’t celebs with millions of followers, but music fans who write quality social media posts, said Chris Williams, iHeartMedia’s chief product officer.

“If you can find the five or six Justin Bieber fans who follow his every move, tell other fans what’s going on and have built up their own authority,” he said, “their posts are typically far more engaging than what you would get from the celeb himself.”

IHeart analyzes anonymized and aggregated data across platforms and flags relevant conversations using a social listening tool called Sysomos. Sysomos recently gained insights from Facebook topic data with Scout, a dashboard that hooks into Facebook topic data partner DataSift.

While social listening is not new, iHeart uses the resulting data sets to discover and build segments off of new audiences that wouldn’t otherwise be on its radar.

“We’re pretty good at being able to say people who like country music look like this, dress like this, shop in these places and drive these cars,” Williams said. “What Scout allows us to do is use a conversation that’s taking place out in the real world and find out who that person is, what affinities they have and where they live.”

Even though Facebook’s data is anonymous, the aggregate information shows strong conversational spikes that are valuable for targeting, said Phil Burch, product marketing manager at Sysomos.

After finding these fans, iHeart engages with them beyond standard goals such as likes, tags and reposts.

For example, the audio company will invite its most socially active Florence and the Machine fans to the band’s intimate, 100-person concert at the iHeartRadio Theater in New York City, as opposed to a group of random people who happened to win a raffle.

“You can capture some really cool content by seeding the audience with people who find tremendous value in the experience,” Williams said. “They share that passion with their following in a way that’s really organic. We’re brought into that conversation in a much more meaningful way, and there’s a greater chance of our voice being discovered.”

Subscribe

AdExchanger Daily

Get our editors’ roundup delivered to your inbox every weekday.

By letting fans share the lineup at this year’s iHeartRadio awards, the digital audio company saw 115 billion social impressions around the event in 2016 – up from 14 billion impressions in 2015, Williams said. Post sentiment, which Sysomos can measure by analyzing keywords and reactions, was 93% positive, #iHeartAwards was a trending hashtag in 50 US cities and the awards show brought in 60 million votes.

These results helped iHeartRadio strengthen its narrative as a brand that can connect fans with their favorite artists in meaningful ways.

As a digital audio publisher, iHeartRadio is getting deeper into data-driven targeting. This month it launched a programmatic marketplace in the US, which dynamically stitches ads into digital streams based on user profiles.

“You might very well be listening to the exact same radio station at the exact same time as me,” Williams said, “and the ads that are being delivered to you are going to be very customized to who you are and where you are at the moment.”

Must Read

A comic depicting people in suits setting money on fire as a reference to incrementality: as in, don't set your money on fire!

How Incrementality Tests Helped Newton Baby Ditch Branded Search

In the past year, Baby product and mattress brand Newton Baby has put all its media channels through a new testing regime for incrementality. It was a revelatory experience.

Colgate-Palmolive redesigned all of its consumer-facing sites and apps to serve as information hubs about its brands and make it easier to collect email addresses and other opted-in user data.

Colgate-Palmolive’s First-Party Data Strategy Is A Study In Quality Over Quantity

Colgate-Palmolive redesigned all of its consumer-facing sites and apps to make it easier to collect opted-in first-party user data.

Can E.L.F. Cosmetics Become A Consumer Destination, Not Just A Brand?

History can be a burden for a brand, if it means that company is too set in its ways to pivot and try new things. Just consider e.l.f. Cosmetics, the digitial-first, social-native brand that made good.

Privacy! Commerce! Connected TV! Read all about it. Subscribe to AdExchanger Newsletters
Digital-native brands need to figure out how to win in retail shelves. They're finding it difficult, to say the least.

DTC Brands Are Learning The Hard Way That Winning In Retail Can Be A Losing Bet

Digital-native brands need to figure out how to win in retail shelves. They’re finding it difficult, to say the least.

Browser Extension Developers Say Google And Apple Need CMA Oversight

A group of 20 web app developers sent a letter to the CMA claiming the regulator’s proposed remedies for increasing competition among mobile browsers do not address barriers to entry for mobile web extensions on iOS and Android.

A comic depicting people walking past digital billboard screens in a city

TikTok Wants To Win All The Screens, Not Just Your Smartphone

“There are billions of additional screens outside of mobile phones,” says Dan Page, TikTok’s global head of partnerships and new screens. “We want to be in all of them.”