Home Mobile Undertone Inks Exclusive Distribution Deal With Betaworks

Undertone Inks Exclusive Distribution Deal With Betaworks

SHARE:

TapestryUndertoneMobile native isn’t just about look, it’s also about feel – and there’s nothing more native to the mobile experience than a tap.

“Brands and users are looking for an alternative to web banners squished into mobile,” said James Cooper, head of creative at New York City-based digital ads startup Betaworks, which announced Tuesday that it would be hooking up with programmatic ad network Undertone as the exclusive distribution partner for its Tapestry ad format.

Tapestry, so named because it combines the acts of tapping and storytelling, allows brands to create mashups of their existing brand assets, including images and animated GIFs. Users progress through the full-screen content with a series of taps, almost like viewing a manual video. Although primarily developed for apps or the mobile web, Tapestry can also work in a desktop environment.

Betaworks, the company responsible for founding Chartbeat, Bitly and SocialFlow, first developed Tapestry as a consumer-facing platform for telling stories in 2012. Although adoption was all right, it wasn’t stellar, Cooper said.

“But whenever we did any work with brands, we had some really good response and engagement rates – so we started doing more of that,” he said.

Betaworks can get pretty granular in terms of analytics, including the number of taps, time spent and completion rate.

Showtime, Fox Searchlight Pictures, Dove, GE and Gucci have all experimented with the format, which according to Betaworks garners a more than 50% engagement rate regardless of the subject matter’s complexity or the number of taps it takes to complete.

For Showtime, Betaworks condensed the juiciest parts of the cable network’s trailer for “The Affair” into a series of GIFs and pics. GE blended text and animation to explain how a jet engine works in more than 30 taps, and Gucci repurposed images from a high-end photo shoot.

Click on the image below to see how it works.

f49b35c324e7fafc2ae14adbc328c56c

“It’s a larger canvas that gives brands the chance to capture attention with interactive creative,” said Undertone co-founder Eric Franchi. “And from a user perspective, it takes advantage of the natural way people engage with their smartphones.”

Subscribe

AdExchanger Daily

Get our editors’ roundup delivered to your inbox every weekday.

The New York Times has already signed up to offer Tapestry to its advertisers, while news sharing site Digg, which Betaworks acquired in 2012, has been tapping into Tapestry for several years, seeing success with smaller advertisers, including edgy underwear retailer MeUndies.

In the case of MeUndies, users are taken directly to the brand’s ecommerce site after tapping through the unit.

It’s “actually very conversion-oriented,” said Sissi Nie, who handles business development at Digg. According to Nie, leads that engaged with a Tapestry unit were far less likely to bounce off of an advertiser’s landing page or website than users who weren’t exposed to a Tapestry unit.

“Digg has some fairly small advertisers who are very conscious of their CPA,” said Nie, who noted that Digg also uses Tapestries within its own in-house editorial content. “That’s why the native units we offer have to combine the two needs of young startups – the need for brand awareness and the need not to max out on their cost per acquisition in a DR campaign.”

Although Tapestry will only be sold on a traditional IO basis for the moment, Franchi said that Undertone has plans to make the formats programmatically available down the line.

“The vision is to give advertisers both creative and scale, but for now, this is a very different workflow than buying a standard mobile display unit,” Franchi said. “We have to get heavily involved in the design and there’s much more back and forth from a creative standpoint.”

Must Read

The Arena Group's Stephanie Mazzamaro (left) chats with ad tech consultant Addy Atienza at AdMonsters' Sell Side Summit Austin.

For Publishers, AI Gives Monetizable Data Insight But Takes Away Traffic

Traffic-starved publishers are hopeful that their long-undervalued audience data will fuel advertising’s automated future – if only they can finally wrest control of the industry narrative away from ad tech middlemen.

Q3: The Trade Desk Delivers On Financials, But Is Its Vision Fact Or Fantasy?

The Trade Desk posted solid Q3 results on Thursday, with $739 million in revenue, up 18% year over year. But the main narrative for TTD this year is less about the numbers and more about optics and competitive dynamics.

Comic: He Sees You When You're Streaming

IP Address Match Rates Are a Joke – And It’s No Laughing Matter

According to a new report, IP-to-email matches are accurate just 16% of the time on average, while IP-to-postal matches are accurate only 13% of the time. (Oof.)

Privacy! Commerce! Connected TV! Read all about it. Subscribe to AdExchanger Newsletters
Comic: Gamechanger (Google lost the DOJ's search antitrust case)

The DOJ And Google Sharpen Their Remedy Proposals As The Two Sides Prepare For Closing Arguments

The phrase “caution is key” has become a totem of the new age in US antitrust regulation. It was cited this week by both the DOJ and Google in support of opposing views on a possible divestiture of Google’s sell-side ad exchange.

create a network of points with nodes and connections, plain white background; use variations of green and grey for the dots and the connctions; 85% empty space

Alt Identity Provider ID5 Buys TrueData, Marking Its First-Ever Acquisition

ID5 bought TrueData mainly to tackle what ID5 CEO Mathieu Roche calls the “massive fragmentation” of digital identity, which is a problem on the user side and the provider side.

CTV Manufacturers Have A New Tool For Catching Spoofed Devices

The IAB Tech Lab’s new device attestation feature for its Open Measurement SDK provides a scaled way for original device manufacturers to confirm that ad impressions are associated with real devices.