Home Publishers Paywalls And Layoffs: Media CEOs Reflect On The Publishing World’s ‘Radical Resizing’

Paywalls And Layoffs: Media CEOs Reflect On The Publishing World’s ‘Radical Resizing’

SHARE:

BuzzFeed, Verizon Media and Gannett all had layoffs this week, as the media business struggles to find its way in a digital climate.

Over 1,000 jobs went away. BuzzFeed laid off 200 people (15% of its staff), Verizon Media laid off 800 people (7% of its staff) and Gannett laid off more than two dozen (and didn’t respond to a request for a total layoff count).

“You are not seeing the complete death of the industry, but a radical resizing, and rethinking, and reality acceptance process,” said Bloomberg CEO Justin Smith at AdExchanger’s Industry Preview event in New York City. The panel also included New York Media CEO Pam Wasserstein and Cheddar CEO Jon Steinberg.

Most companies won’t go bankrupt, “but they will have to deal with the realities of 2019,” Smith said.

Cheddar’s Steinberg said layoffs help companies stay competitive and keep their strongest workers. “Outperformers are promoted and given raises and equity, and underperformers are fired on a routine basis,” he said, noting that he denies an increase in headcount whenever possible in order to keep costs in check, even though his company is growing.

Putting up paywalls

In order to survive, media companies are trying to create enough value that audiences will pay for it.

While Condé Nast this week revealed its intention to paywall all of its publications by the end of the year, it’s arguably late to the game.

Bloomberg, Cheddar and New York Media all have paid products. New York Media recently implemented a dynamic paywall to encourage readers to pay for its content.

“Places like The New York Times are teaching our audience you pay for high-quality content,” Wasserstein said. The publisher also redesigned its homepage in order to help readers understand how its “sister” brands – The Cut, Intelligencer, Vulture, Grub Street, The Strategist – fit together.

Bloomberg added a paywall last year, and priced it “at the high end,” or $35 a month. “We’ve had to triple our internal forecasts,” Smith said. The publication knew its audience: people who don’t use the Bloomberg Terminals, but care deeply about business news, whether they’re in business school or the C-suite.

Cheddar launched with the idea of having OTT platforms pay carriage fees for its content, but skinny bundles wanted to shed costs and just weren’t willing to pay for its channel.

“They all want to lower their content costs, and I’m looking for high-quality distribution,” Steinberg said. “I like to say that everyone pays for Cheddar, we just happen to not get any of that money.”

(He avoids Facebook, which he said was incredibly frustrating to work with: “All our platform relationships are great except for Facebook.”)

Getting brand advertising dollars for niche content

Almost all publications have niche audiences these days – especially compared to the massive, generalized user bases of Facebook and Google.

Despite amassing scale that advertisers wanted, BuzzFeed and Huffington Post struggled because Facebook and Google provide even more reach at lower cost.

New York Media’s niche brands have “superfans,” Wasserstein said. But advertisers aren’t interested in niche audiences.

Bloomberg’s Smith empathizes and blames old thinking around metrics.

“All the legacy measurement systems, and the Madison Avenue business model, was based on a different type of scaled advertising,” he said.

So publishers really need to think about how to attract brand dollars. Cheddar, for instance, has packages focused on brand advertising that performs.

Starting at $150,000 a month, brands get 24 minutes a month in content segments, a year-long license to use the content, surveys to prove out brand lift and guaranteed media on Facebook, Twitter and LinkedIn, he said. Because those packages perform, renewals average over 80%.

Bloomberg’s Smith questioned whether Cheddar can offer that much to advertisers and be profitable.

“Absolutely,” Steinberg said, noting he runs with just 180 employees and lost $4 million on $27 million in revenue. Cheddar turned a profit in November 2018 and would have in December, had dollars not shifted their budgets over to 2019, he said.

To be successful in the future, publishers should still create the niche content that draws audiences – for which they might even pay a subscription fee. But publishers must find new and creative ways to monetize those passionate audiences, to entice brands to connect with them and complement their platform advertising.

“There has never been a more intense imperative to continually reinvent yourself and innovate.” said Bloomberg’s Smith. “As Facebook and the platforms have dominated the broad, scaled advertising market, publishers are going to need to niche-ify themselves.”

Must Read

square Headshot of Mohammad (Moe) Chughtai, global VP of strategy & partnerships at MiQ, against an orange and yellow gradient background

Better Attribution Makes Live Sports A Performance Play

To squeeze the most juice out of their live sports campaigns, many marketers are adopting programmatic buying and marketing mix modeling, both of which are also drawing more advertisers to the digital live sports cornucopia.

Roblox Opens Up Advertising To Kids Under 13

Roblox is making its under-13 audience available to advertisers for the first time. And it named youth-focused ad marketplace SuperAwesome as its exclusive advertising partner for under-13 users.

Comic: Header Bidding Rapper (Wrapper!)

Outgoing Prebid President Mike Racic On His Departure And The Org’s Next Act

Prebid is turning the page on what might be called its second chapter as the organization navigates some major changes in the digital advertising landscape and within its own ranks.

Privacy! Commerce! Connected TV! Read all about it. Subscribe to AdExchanger Newsletters
Meta is giving advertisers the ability to connect their third-party analytics tools directly to its ad platform via API.

How Apparel Brand Tuckernuck Devised The 'Why' Behind Its CTV Ad Performance

Performance CTV tech company Keynes launched an AI-powered platform. Tuckernuck says it can finally “pop open the hood” and see what’s working.

Salt Lake City, Utah, U.S.A. - February 24th 2021: Martinelli Gold Medal Sparkling Blush for festive occasions and gatherings. Fermented Apple Cider from the state of California.

How Juice Brand Martinelli’s Gets To The Core Of Retail Media Incrementality

ROAS who? Martinelli’s is testing how crisp its retail media spend really is by using a new metric called incremental ROAS.

A scale with the letters AI on one side and a pencil and ruler on the other. The pencil and ruler represent the concept of measurement and precision

Measured Has A New Tool That Lets Marketers Chat With Their Incrementality Data

Media measurement provider Measured launched an MCP integration that allows brands to ask ChatGPT, Claude, Gemini and other AI platforms how their media is performing.